UW Homecoming Video Sparks Controversy on Campus by ALT Magazine

By Sophia Rahman

As homecoming week approached the UW-Madison campus, the Homecoming Committee released its promotional video. The video, featuring students enjoying various activities throughout the UW campus, quickly sparked controversy. What may have seemed like an innocent, motivational Homecoming promotion was instead recognized for underlying factors of racism.

 

The video, titled “Home Is Where We Are,” is centered on students finding a home on campus. However, there are barely —  if any — students of color featured. This absence of racial representation was cause for great concern among UW students, alumni, and community members. The video plays a montage of clips demonstrating examples of what the UW campus means to white students, ignoring what it means to the rest of the student body. In an outrage, students took to social media to shine light on what they believed the video truly represented using the hashtag: #HomeIsWhereWIAren’t.


The Homecoming Committee invited various student groups and organizations throughout campus to partake in the video. This included Alpha Kappa Alpha, the first and largest black sorority on campus. To their disappointment, their clips were not used. An anonymous member of Alpha Kappa Alpha states in a Twitter post, “As if being on a campus where you are unwanted and have to fight every day... isn’t bad enough, @UWMadison is back... again reminding us that we don’t belong here, and that there is no room for Black students here.” The feeling of being an outcast is common amongst students of color at UW-Madison, and the anonymous source’s tweet helped express those emotions.


Several students noted that the video may have not been intentionally malicious. However, by approving the video and failing to recognize the absence of students of color, the administration sent a clear message to the UW student body: racial diversity and inclusiveness is not a priority to the administration. Combined with the university’s history of racism, students of color are left feeling unsure about their place at UW Madison. According to one student, “it echoed underlying components of white supremacy on campus, and to many students, the emotions felt towards the video go further than the video.” The issue doesn’t go so far as the video, though; the Homecoming Committee itself lacks students of color. That said, the problem occurs due to the lack of support and inclusion from the university. The video only emphasizes this fact.  


Wisconsin Alumni, Janiece Piolet additionally pointed out the issues with the video in a viral Facebook post. Piolet raised concern that the trouble with the video was the narrow focus on the white population and simultaneous preaching of diversity. She notes that students of marginalized backgrounds have and are, “violently made invisible for the palatability of the white gaze.” She also quoted the video which stated, “‘We have broken barriers, made changes, and can say home is, forever and always, where we are.” She then critiqued the message pointing out that the video chose to show images of football — calling it irrelevant — when the committee could have addressed Wisconsin’s Native American history. She also detailed her experience of racism on campus and how she never felt at home. She explained how the video highlighted her experience for current students of color. Her words resonated with students all over campus, sparking conversations on how the racist undertones of the video can be seen on campus.


The Homecoming Committee has since removed the video from all social media platforms and released an apology regarding the criticisms. In it, they stated, “not all the video images produced were included in the final product, including those of students from underrepresented populations” and that “[they] are sorry that [their] video failed to show the full breadth of the university experience and made members of [the] community feel excluded.” However, many students felt that the apology was surface-level. This included student Katie Chong, who said, “the apology was shallow and the fact that the video even exists just shows that the video was only approved by white students and white administration.” Many students had issues with how the Homecoming Committee addressed their concerns. Moreover, the committee failed to provide solutions for being inclusive of students of color on campus. In addition to the Homecoming Committee’s apology, Vice Chancellor Lori Reeser, along with the UW-Madison Alumni Association, released a separate statement addressing the homecoming video. In it, she detailed a few steps to improve the diversity on campus.   


Though the events of the homecoming video have died down, the Homecoming Committee’s assistance with the Hmong American Student Association (HASA) sparked new controversy. In the details of the Homecoming Committee’s event page, the speaker for the Hmong American Student Association’s event, Kashoua Kristy Yang, was written as Keshou “Kristy” Yang. Her first name was spelled wrong and quotations were used around her middle name to signify it as an American name, both of which were disrespectful. Furthermore, the committee failed to spell Hmong right, spelling it as “Hmoung” instead. This was also seen as thoughtless and insulting, especially after the events that occurred from the homecoming video. At the moment, the Homecoming Committee has corrected the details but have yet to apologize to the Hmong American Student Association and their speaker. According to Katie Chong, “I just feel [the Homecoming Committee] isn’t even putting in an effort. They invited a speaker and they can’t spell her ethnicity right, let alone her name. Racial diversity on this campus is always just for show.” 




5 Underrated Musicians of Color That Deserve Your Attention by ALT Magazine

By: Tori Lopez

Writing: Tori Lopez

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WILLOW

Personal favorite song: Wait a Minute!

 Genre: Alternative R&B

Willow Smith — yes, that Willow Smith — has come a long way from “Whip My Hair.” Since debuting the single in 2010, Smith has sung on Oprah, collaborated with Nicki Minaj, and performed with SZA. She’s moved on from the kid-friendly pop you remember singing in the halls on the way to your sixth-grade math class; nowadays, Smith incorporates a more mature, alternative sound.

Smith currently has three albums: Ardipithecus, The 1st, and Willow. Ardipithecus introduces her audience to colorful, electro beats while The 1st focuses on more raw, acoustic melodies. This sound follows in Willow, where Smith discusses her view on the philosophy of love and technology dependency. While Ardipithecus received shaky reviews, with critics labeling the album as distracting and superficial, Smith has only continued to improve her sound. Smith has big shoes to fill, but she’s currently carving her own path, one away from her family legacy.

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H.E.R.

Personal favorite song: I Won’t

Genre: R&B

Gabi Wilson, better known as H.E.R., earned some spotlight this year after winning a Grammy for Best R&B Performance and Best R&B Album. However, Wilson has been in and out of the music scene, with her appearance on Radio Disney’s Next Big Thing in 2009, followed by releasing her single, “Something To Prove” under her real name in 2014. Wilson chose the pseudonym H.E.R. in 2016 as an acronym for “Having Everything Revealed,” as a way to express her desire to be open about her emotions and experiences. H.E.R. stands as an emotion-based project based on the support for women. “I am the voice for women who feel like they’re alone,” she elaborates. And dear God, does she do just that.

Wilson currently has two EPs — H.E.R. Vol. 1 and H.E.R. Vol. 2 — and one album — H.E.R. — that includes songs from both EPs plus six additional songs. H.E.R. is open about sex (that said, you probably want to listen to it with headphones) and heartbreak. Wilson is doesn’t shy away from issues women frequently face, such as returning love because it's there or finding the middle between being vulnerable and being confident. H.E.R. is a treat to listen to. It’s the perfect album to listen to late at night on a rainy day.

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The Marías

Personal favorite song: Ruthless

Genre: Psychedelic-Soul 

Raised by Puerto Rican parents, María founded The Marías alongside her husband, LA-native Josh Conway, in 2016. Due to the colorful mix of backgrounds, Josh and María work to incorporate their histories into their music under their own roof. The Marías feature songs in both English and Spanish, an uncommon feature amongst other artists on this list. It’s for this reason that this band is quickly rising in popularity amongst urban Latinx communities.

The Marías currently have two EPs: Superclean Vol. I and Superclean Vol. II. You can find both of which for free on YouTube, dubbed as “listening parties” for their fans. Really, it’s just music playing over a social gathering that the band hosts, but it’s still nice to tune in for a quick listen. If you do decide to check them out, expect swanky tunes with jazz percussion, funky guitar riffs, velvety horn solos, and María’s rich voice. You’ll instantly be transported to the 1970s, with The Marías’s sultry melodies carrying you away from this plane of existence.

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Phum Viphurit

Personal favorite song: Long Gone

Genre: Indie Pop

Born in Thailand, raised in New Zealand, Viphurit focuses on acoustic sounds. Viphurit may not have as long as history as some artists on this list, but I’m hoping this article can give him some exposure that he deserves. Viphurit stepped into the music scene about two years ago (from what I can tell at least, there’s not a lot of information on him). “Run,” a song about two former lovers trying to move on after a breakup, was released on the tenth of January, 2016. Love song “Strangers In a Dream” was released six days later. On a side note, I highly recommend checking out the cute albeit melancholy music video; it features a gay couple enjoying the simplicities of life behind a pastel filter.

Viphurit has a soft, welcoming voice that invokes a feel-good sentiment. His songs typically include some sort of funky acoustics in the forefront. If you like music to listen to on a sunny, warm day, Viphurit will quickly become your go-to. Viphurit currently only has one album, Manchild. Manchild features mostly sunny love songs, whether it be about pining, loving one’s partner, or lamenting a breakup with upbeat acoustics.

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Boy Pablo

Personal favorite song: t-shirt, Dance, Baby!

Genre: Indie pop-rock

On the 19th of May, 2017, Boy Pablo’s music video for “Everytime” dropped on YouTube. The thumbnail featured Chilean-bred, Norwegian-raised Nicolás Pablo Rivera Muñoz in a pink hoodie with a teal guitar, squinting. While the video started with a few thousand views, its feature on the subreddit, Listen to This, launched it into indie popularity. If you have even a minor interest in bedroom pop, chances are you’ve seen this video pop up in your recommended on YouTube.

Boy Pablo was created by Muñoz in 2015 with his friends and former classmates. The music video for “Everytime” was released the same day as their first EP, Roy Pablo. On it, you can expect lots of fun surfer-rock, pop beats. If you prefer more of an 80s sound, look no further then their second EP, Soy Pablo. Boy Pablo is a group of college-aged boys who are just having a good time making music, and it clearly shows in their songs, music videos, and EP titles.

Introducing: Taofeek Abijako by ALT Magazine

By: Ian Vize

Graphics: Eury Kim

Let's all be honest, as seniors in high school, most of our waking time was spent trying to figure out what we wanted to do with ourselves. Whether it be what we wanted the rest of our lives to look like, what our plans were that night, even what we wanted to eat for dinner (no you pick!), we were constantly bombarded with questions about our future.


Unlike most high schoolers however, Taofeek Abijako had an answer. At the age of 17, Abijako founded HEAD OF STATE (HOS), a luxe streetwear line priding itself on providing “representation of postcolonial African youth culture today.” And now, almost three years later, Abijako finds himself sitting atop the Forbes 30 Under 30 2019 list for arts and style.


Starting out with customized vans, Abijako has expanded his line into one of the premier up and coming brands today, taking a unique approach to his designs, heavily influenced by his homeland, Nigeria. With an idea, a vision, and few resources, Abijako turned his New York childhood bedroom into his studio, providing us all with inspiration of what a person can achieve with time and dedication. Abijako released his first collection on his twitter feed as a high school senior and within weeks had garnered interest from United Arrows, a japanese luxury retailer.


One of Abijako’s earliest collections, “Hooligans,” focused on the rebellious and powerful messages Abijako took from one of his personal heros, Nigerian musician and political activist Fela Kuti. The line itself, gets its name from one of Kuti’s most famous songs, “Coffins for Head of State.” Lyrics from the song can be found on pieces in the collection, providing context and purpose to the collection, speaking out against the violence and corruption Abijako experienced in his homeland.


A proven designer at the age of 17, the youngest designer to show at Men’s New York Fashion Week, and a dedicated and politically active member of his community, Taofeek Abijako, and HEAD OF STATE has a bright future ahead of them.  


Decree 349: Censorship of Artistry in Havana, Cuba by ALT Magazine

By: Milica Andric

Artistry is something that we consider to be intangible but relatively easily spotted or described. It isn’t necessarily limited to an easily distinguishable form of art—like a painting or a sculpture. But rather, it is something that can be felt by other people, something that moves other people to new bounds or transforms one into a more wholesome being. We feel it when we connect with a song that we really like, we feel it when we watch someone immersing themselves in an activity they love, and we feel it when we take the time to assemble our thoughts and reflect. The idea of silencing artistry or living in a world where it is limited seems unimaginable when we consider its relevance in the intentional things we do.

Cuba is well-known for its rich history in art. The island nation’s history of artistic creativity melds elements of Spanish, African, South American, and European cultures. Cuba has the oldest academy of art in Latin America, the Academy of San Alejandro, which opened in 1818. In the twentieth century, many artists rebelled against the classical approach to art that the Academy of San Alejandro implemented.

Cuban artists began studying abroad during a period of intense change in the European art world. The rise of Cubism, an art movement that fractured images into multiple perspectives; Primitivism, which revolved around the use of bold colors and drawing styles of primitive societies; and Surrealism, which merged dreams with external reality, were witnessed. When Cuban artists returned home, they confronted and rejected more traditional painting styles and took part in the uprising of the Vanguardia movement, advocating for modernism over traditional academic training. Many of these artists increased their political awareness and action through their work.

Since Decree Law 349 was published in July in the government’s Gaceta Oficial, there has been plenty of resistance on the island and abroad. Meetings between government cultural officials and artists have been conducted to discuss changes in the law.

The new law requires government approval for artists, musicians, writers and performers who want to present their work in any spaces open to the public, including private homes and businesses. Beyond that, it also proposes fining artists who commercialize their art without administrative permission. Decree 349 was initially promoted by the government as a defense against vulgarity and poor taste but is said to enact an institutionalized censorship of independent art and culture in the country.

Vice Minister of Culture Fernando Rojas says the new law was designed to respond to public complaints about the misuse of patriotic symbols and vulgarity in popular culture.

Artistic creation is not the target
— Fernando Rojas

“The Cuban government with Decree 349 is legalizing censorship, saying that art must be created to suit their ethnic and cultural values, which are not actually defined,” she said in the open letter to the director of Kochi Biennale— a non-profit charitable trust engaged in promoting art & culture and educational activities in India. “The government is creating a ‘cultural police’ in the figure of the inspectors, turning what was until now subjective and debatable, into crime.”

The debate is a sensitive subject for most, especially because much of the country’s art was born out of the struggle for liberty.  The thought of stripping artists’ autonomy therefore seems unimaginable.

It’s difficult for one to understand the severity of the situation without living in or witnessing the artistically immersive culture. When we take the issue at face value, assuming there is a sense of like-mindedness regarding the limitation of expression, we feel the fault in the argument for the new decree. For those that were fortunate enough to be born into a society that encourages the freedom of expression, the severity of the issue is imperceptible.

I had the opportunity to spend a few days in Havana this past year. Though I couldn’t immerse myself in the culture with the short timeframe and more so admired the city from a tourist’s perspective, it quickly became very clear to me that self-expression through art is an integral part of Cuban society.

 
Cuban performance artist Tania Bruguera shares her thoughts regarding Decree 349 through social media.

Cuban performance artist Tania Bruguera shares her thoughts regarding Decree 349 through social media.

 

Women’s Empowerment by ALT Magazine

By: Livvie Van Lanen, Editor-in-Chief

Designed by: Eury Kim

Women&Denim
There is no limit to what we, as women, can accomplish
— Michelle Obama

I grew up with a mother who made it her mission to show my sister and I that being brave, strong, and independent is the only way to exist as a woman in this world. I grew up with the privilege to have a voice, and make my voice be heard. But recently, it feels as if my voice has been softened...along with the other women around me. November of 2016 sparked a fire in my soul to change this.

As of late, the social climate in Madison has changed. I don’t feel as safe as I used to… a lot of women don’t. I can’t walk down State Street on a weekend night without being cat called, harassed, or stripped in the eyes of a stranger. I can’t walk home by myself without nervously gripping my pepper spray. It is time to stand up against this kind of behavior, and reclaim power and establish our safety.

People say that the harassment happens because of what a woman wears, the curves of her body, or the makeup she wears. I will NOT feel ashamed for my body, my favorite jeans, or my lipstick. The problem is not the clothes that I wear, the body I live in, or the way I walk. The problem is the toxic mentality that it is OK to objectify and sexualize women every second of the day.